I'm about 10,000 words into my new work-in-progress, a YA mystery. This is a departure from my usual sci-fi/fantasy bent (although it does have a speculative element, because I really can't help myself), so I found myself at something of a loss when it was time to plot the novel.
Where to turn? The internet, of course! Here are some of the most helpful resources I found online for plotting mysteries.
1. Dramatic Structure and Plot, by Hallie Ephron for mysterywriters.org
This extremely useful overview of mystery writing gives you some of the basics, like giving your sleuth a hard time and how to write a hook-y opening. The list at the end of cliché endings to avoid is especially helpful.
2. 5 Tips for Plotting a Mystery, by Pamela Fagan Hutchins
The first piece of advice here (start with an end and work toward a beginning) gave me my first aha! moment in my novel plotting. I figured out my climactic scene and the big reveal of whodunit, then worked backward. That made it much easier to flesh out the beginning and middle of the story.
3. Understanding the Essentials of Writing a Murder Mystery, by Bronwyn Hemus
Having read quite a few mysteries, I knew a progression of clues was a must, but I was foggy on how that worked, exactly. This article discusses the importance of feeding the reader clues that aren't obvious, but that could be followed to arrive at the solution to the mystery in retrospect (easier said than done, but at least I know that I should be doing it...)
And, just for fun...
4. Mystery Plot Generator
This mad-libs style blurb generator is perfect when you're stuck on some aspect of your plot and need some comic relief. My favorite part is the automatically generated critics' reviews—brilliant! :-)
Happy plotting!
Showing posts with label plot. Show all posts
Showing posts with label plot. Show all posts
Monday, November 23, 2015
Wednesday, November 21, 2012
Why First Drafts Suck and Why That's Okay
"The first draft of anything is sh*t."
-Ernest Hemingway I'm working on a new first draft. For the first time in over a year, I'm sitting down in front of my computer and staring at a blank page. Sometimes the words appear in my mind and flow seamlessly through my fingers to the screen. Sometimes I feel like I'm wrestling them into place. But either way, I'm pretty happy with my progress at the moment.
A few years ago, I wouldn't have called myself a writer by any stretch of the imagination. I had written a few short stories, but I was a perfectionist. This meant every sentence got dissected right after it was written—and more often than not, it got deleted because it sounded stupid, or I freaked out about it not having the right lyrical flow, or I thought of a better idea for the beginning ten pages in and deleted the whole thing to start over.
The idea of writing a novel crossed my mind and was immediately dismissed. I made up stories in my head all the time, but I knew writing them down would mean years of arduous deleting and rewriting.
Then came the turning point. My husband suggested something that had never occurred to me: why not just write the draft, without any changes? When I protested that I couldn't let the words sit there like that, he said I could use a separate document to note changes to go back and do later--but in the meantime, I could carry on with the draft.
I tried out this process, and it really, really works for me. I outline the novel, and then I just write. Notes for what isn't working or what needs to be changed later or great new ideas go in a separate "Things to Change" document.
Now, here's the thing. My first drafts are hideous. Some people like to refer to first drafts as "vomit drafts," and this is most definitely accurate for mine. Locations change mid-stream. People who died in the last chapter magically jump back in because I thought of something else for them to do. Someone who starts out as mousy and shy in the first few chapters becomes a confident hussy in the last few.
But that's okay.
The magic happens in the revisions. I go straight down my Things to Change list and mold characterizations, plot, and setting into something that makes sense. Then I go over it again, and again (and about seven more times, but you don't really need to hear about all of those).
The point is, writing this way lets me actually finish drafts. I've met an awful lot of people who tell me, "Oh, I'm writing a novel too. I started a few years ago and I have fifty pages done." They never got past the first draft. Now I tell them about my method.
I've become a vomit draft evangelist! And I must be doing something right, because I've completed three novels and am working on my fourth.
What's your first draft process? Do you agonize over every word, or vomit it out?
What's your first draft process? Do you agonize over every word, or vomit it out?
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