Twilight, Hunger
Games, Gossip Girls, Vampire Diaries…. the list of books turned successful
film and television franchise seems endless.
We think to ourselves, if they can do it, why can’t we?
We write novels, screenplays, sometimes both! We’re half way
to a three-book deal with a hefty advance… it’s all up here, in our heads…we’ve
just…got to get it on paper.
Needless to say, the written road, whether it’s a feature,
television series or our soon to be billion dollar novel franchise is filled
with long hours, late nights and lots and lots of writing. Lucky for us, there are those who’ve paved
the way and who’s advice can help us reach our goals (or at
least avoid a pothole or two).
On my Thursday of every month, I’ll be interviewing an
author who has successfully bridged the chasm between books and film.
D.J. MacHale |
We begin with writer, director, executive producer and
creator of several popular television series and movies D.J. MacHale. Oh, did I forget to mention he’s also the New
York Times #1 bestselling author of the Pendragon book series?
JP: So what’s harder, writing a screenplay or a novel?
DJM: It’s always
about good characters and good storytelling.
Coming up with a good plot and plot twists is important no matter what
you’re writing. The challenge with
script writing is that it’s not the finished product. You’re writing the blueprint for a lot of
people to then transform it into something else.
So what you write on the page has to be literal. It has to be exactly what you see.
With novel writing, the word is the finished product. It goes from my head (through a couple of
steps) right to the reader. So I find
novel writing easier in that it’s less collaborative. It’s pretty much whatever I say goes. Where with screenwriting, you have many
people that you have to appeal to, whether its producers, execs, you name it.
Everyone thinks they know it better than you do, so it can be very frustrating.
JP: How did your background in TV help when you started
writing your first novel?
DJM: My prose isn’t the most literary and wonderful in terms
of flow. But what you’re trained with in
screenwriting is to write visually. My
readers can see what I’m writing, especially since I’m writing a lot of action
adventure. There’s no confusion to what
they’re reading. They say to me, “Wow, it’s like watching a movie.” So that’s helped immeasurably.
D.J. MacHale, YA To Be Continued Panel, LA Festival of Books |
JP: If one of your novels were to be produced (for film/TV), would you want to write the screenplay?
DJM: For TV – yes, because I have a history in TV. Where with movies I haven’t written any
feature films that have been produced.
So there’s that hesitation in Hollywood. They say, well, he’s never written
[a feature] before so he can’t. So I wouldn’t even attempt to do that.
JP: What advice would you give to an aspiring YA writer?
DJM: You have to write what you know. The people, places, events, conflicts, and
emotions that you are either familiar with directly or indirectly (through
someone you know) because if you do that, you’re writing from a place of
authority. Even if you’re writing huge fantasy adventure stories, at its core
there has to be a character or characters in conflict that are relatable and
understandable and will be interesting because that gives you the heart of the
story. The rest is the explosions, the
running around, the cliffhangers and all that stuff. The best stories are at their heart about
characters that we care about and I think that has to come from experience.
DJM: Stephen King’s 11/22/63
JP: Book you would recommend?
DJM: Unbroken: A World War II Story of Survival, Resilience,
and Redemption by Laura Hillenbrand.
It’s non-fiction but the story is incredible. It’s about a Japanese POW from WWII and you
wouldn’t believe it if someone made up the stuff that this man went through.
Find out more about D.J. MacHale and his book series
PENDRAGON and MORPHEUS ROAD here.
Have a Book to Screen author you'd love to read about? Post their name in the comment section below and I'll get right on it!
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